A recent trend in portrayal of turbaned & bearded heroes in Bollywood has popularised the Sikh image, a much needed impetus to celebrate the identity.
In recent years there has been a trend in Bollywood to have lead heroes in films adorn the garb of Sikhs with the mandatory turban & beard. Top male actors including the likes of Akshay Kumar, Salman Khan and Saif Ali Khan have played Sikh characters in recent films, cashing in at the box office whilst putting a smile on the faces of some religious leaders. “SinghisKinng” (2008) is one such title with the soundtrack featuring a chorus led by Snoop Doggy Dog, an unexpected choice to say the least.
A forthcoming Bollywood flick called “Rocket Singh” indicates that this trend is unabated. This new found fascination with Sikhs in Mumbai’s flourishing film industry presents an interesting chapter for Sikhs in modern India, the motivation behind this may be more political than we think.
Historically characters depicting Sikhs have often been comedians or presented unfairly as unfurnished in the brain department. These new characters are more of a celebration of a rich heroic heritage along with addition of significantly more grey matter. So what has changed in the political landscape for such a paradigm shift?
Firstly the election and re-election of Manmohan Singh as Prime Minister, has provided an impetus to boost the image of Sikhs in India and globally. Secondly, the recent amphibious terror attack on Mumbai by affiliates of Al-Qaeda has also relegated any ‘perceived’ threat from Sikh militants. There is thus a new bogeyman in town, Sikh militancy fading into relative insignificance.
It is ironic that one of Mr. Singh’s predecessors, Mr. Rajiv Gandhi‘s was bent on vilifying the Sikhs with every speech in the 1984 election. Needless to say, during this administration Bollywood producers may have been reticent to propagate the ‘Sikh image’ as a positive one for millions of ardent cinemagoers.
I am sceptical about the recent propagation of Sikh identity in Bollywood and suggest it is driven in main by the political climate. Others take a slightly different stance.
The Shiromani Gurdwara Parbhandak Committee (SGPC) an apex Sikh body is happy with the portrayal even though some of the films have run into some controversy within the community. The film “Jo Bole So Nihal” (2005) was deemed offensive by many Sikhs and was withdrawn from virtually all cinemas in Panjab as well as some cinemas in other Indian cities further to protests.
The president of the SGPC has recently gone on record to say.
"Sikhs have earned name and fame all across the world in almost all the fields like sports, politics, cinema and business. It is all due to their enterprising nature, right attitude, hard work and honesty.
"Bollywood is just trying to cash on the image of a complete Sikh with beard and turban on his head. They are doing it to earn professional gains but we are happy. Now we want them to use real Sikh characters on the screen, someone who actually sports a turban and beard."
There is merit in the observation about using real Sikhs for such roles. However, we will have to wait and see if Bollywood takes heed of the SGPC’s suggestion. At present many of the film plots seem to just scratch the surface of Sikh psyche, more importance is attributed to iridescent costumes along with extravagant dance routines performed to synchronised perfection. The qualities of the practitioner of the faith are largely marginalised at the expense of all the razzamatazz and subplot of the romantic shenanigans of a turbaned Casanova. It’s just all too predictable & cliché.
Over in Hollywood the film “Inside man” (2006) included a Sikh character, playing a bank employee with a full flowing beard and turban. There is a hostage scene in the film where the character played by Waris Alhuwalia is released by the hostage takers, along with a box tied around him. The NYPD think it’s “an Arab with a bomb” and in haste they frisk him and rip his turban off. In response the character shouts back at the NYPD “give me my turban, it is who I am, I am not an Arab, I am a Sikh”. This scene was quite upsetting for those who sympathise with the characters mistaken identity. Hollywood to its credit has at least attempted to tackle the harsh realities faced by Sikhs since 9/11 in the West.
Any positive representation in film is a welcomed milestone, especially if viewed outside of India where the Sikh identity may be unfamiliar, often confused with the Ayatollahs or Mr. Bin Laden himself. At least for now Sikhs are on the Bollywood ‘Merry go round’. There is no doubt that the intricacies of plots in new films, especially when tackling taboo subjects, will inevitably lead to dismay from religious authorities– if perceived as negative portrayal.
Here in Britain, as a license fee payer, I am still eagerly awaiting for the Sikh extra in Eastenders to break his silence in the square.
Hardeep Singh, is a freelance Journalist & Broadcaster, he is also the Press Secretary for The Network of Sikh Organisations
Note: these are the opinion of the author and not the opinion of the Network of Sikh Organisations.




